Toller Porcorum is an archetypal Dorset village, right down to a latinate name redolent of medieval swine-herding (cf Ryme Intrinseca, Kington Magna etc). The fine Church of St Peter and St Andrew lies at the heart of the village, and is also very ‘Dorset’.
While I was fishing on the nearby River Frome a couple of weeks ago, Mrs RH visited some churches in the area, including this one. Inside, she noticed an unusual modern ‘glass sundial’ set in a stained glass window, a marker of the hours and the millennium.
Knowing that sundials are one of the features on this blog, she took a few photographs with her phone. They have come out very well.
In the close-up above, you can just make out the shadow of the gnomon at approx 12.40 (midday being at the bottom). On the outside the gnomon, in the right-hand window (below), is elegantly simple and unobtrusive. The close-up shows it more clearly. But of course the effect is meant to be seen from the inside, if only to time the length of the sermon.
Lordy, but I am negligent of this site. Thanks you, kind people who still come to look at stuff here even though (I am ashamed to note) my last post was in November 2017. I’m going to try to get back on track with this side-project… there’s quite a backlog of material!
Milton Abbey, more properly called ‘The Abbey Church of St Mary, St Sansom and St Bradwalader*’, is a former Benedictine monastery founded in c10. The present building dates from the c14 and c15. The Abbey, with a post-reformation country house attached where the monastic buildings used to be, is now a school.
The Church building consists of the tower, transepts and choir. The nave is entirely absent, not as the result of the reformation’s destructive zeal (though that may account for the absence of statues in the empty interior niches). In fact, the nave was never built. The blank arch on the ‘front’ side (below) indictes how huge the nave – and the completed edifice – would have been.
The country house / school buildings are to the left side of the Abbey. This isn’t the place to detail the comings and goings of the various families who lived there, but it’s all on Wiki and also in an exhaustive entry in the Dorset ‘Pevsner’ – or in more technical detail HERE
We enjoyed a c15 pun high on a wall inside the Church. The date shown on the device looks at first sight to be 1618, but is in fact 1514. Medieval numbering was not formed in quite the way we are familiar with now. The W stands for Abbot William of Middleton (the original town name, shortened to Milton), with his rebus, a mill on top of a tun. Close to the Church, there is a small stone circle about which I became quite excited. Sadly, a complete lack of mention of this circle in any historical context suggests that it is a modern imposter, perhaps related to a school project. But it’s pretty convincing!
*Me neither. And online research doesn’t disclose much about St Bradwalader. Or indeed anything at all.
All photos: Keith Salvesen
St Mary’s Church in Melbury Bubb, Dorset stands on a hillside deep in Hardy Country. In The Woodlanders, the hamlet is called “Little Hintock”. The little-known church contains a particular pre-conquest treasure – a well-preserved c10 Anglo-Saxon font of great beauty and intricacy of carving. Simon Jenkins calls St Mary’s a “single treasure church” and praises its extaordinary “lack of pretension”. This remains one of the few un-electrified Dorset churches, with oil lamps for light and a coal-fired stove in the nave for warmth. The solitary church at nearby Hilfield is another.
The interior has a carved wood rood screen and wooden ‘waggon’ roof. The stove and oil lamps are visible.
A quick glance at the font reveals that it is in fact upside down. The theory is that it is carved from the upturned base of a Saxon cross, perhaps a “preaching cross” that presumably predated the original early church building as a place of congregation and worship. The carvings appear to depict – possibly – a lion, a wolf, a horse, a stag, a dolphin or porpoise, and a couple of smaller creatures. It takes a bit of a leap of imagination, and of course the beasts may even be mythical rather than representational. However, the helpful memorial frieze on the wall certainly makes tentative identifications easier without having to crick one’s neck unduly. I thought I’d detected a fish of some sort, but it turned out to be an upside-down animal haunch… I have included photos of the documents that are on the wall by the font, which give additional information and historical interpretations about the “single treasure”
Two c17 tombs in the churchyard
Credits: all photos RH; light-touch research from church documents and Simon Jenkins ‘Great English Churches’